The Present Future Summit

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March 2012

52 posts

A Startup Incubator For Entertainment?

futureoffilm:

By Nick DeMartino

Should there be an incubator for start-ups in the entertainment industry? It’s a question brought into focus by a recent post from IndieWire editor Dana Harris: “8 Film Startups You Should Know from SXSW.”

“Film, to put it mildly, is not a priority for tech people,” says Ms. Harris, reporting from the floor of Austin’s interactive conference. Eight film start-ups in a sea of technology suggested that more could be done to address the needs of our industry.

Read More

Mar 19, 20122 notes
#present future #technology #new media #startups #future of film
Crowdsourced Movie Studio Creates a Bold New Kind of Sci-Fi Series → wired.com

kenyatta:

Crowdsourced filmmaking funneled through a project that seems to have a strong story and a clear vision. Nice:

The New Kind project is being spearheaded by visual effects hot shots whose resumes include Star Wars, Avatar and Hugo. These moonlighting pros are sharing their expertise with 200 anime enthusiasts to produce a crowdsourced labor of love made possible because the cost of CGI animation tools has dropped several hundred thousand dollars in the past few years.

“Somebody in Malaysia or Greece who lives in their mom’s basement can now create visual effects with a $2,000 computer and a $3,000 software license that’s on par, or even superior to, what you would have seen in Jurassic Park,” New Kind creator Peter Hyoguchi said in a phone interview with Wired. “If you know how to find them, there’s a glut of visual effects artists out there.”

While risk-averse Hollywood studios increasingly rely on blockbuster brands and nine-figure budgets, Hyoguchi is experimenting with a super-cheap production model that costs nearly nothing to implement. Everybody works on spec, and creative talent will be paid for their efforts if the 80-episode adventure turns a profit, according to Hyoguchi.

Hyoguchi plans to post the series for free, but make money on merchandising and by charging viewers $1 for a sneak preview of the following week’s episode. He estimates that $1 million in assets have been created since The New Kind project launched last spring, and his Kickstarter campaign, running through Friday, aims to raise $100,000 in cash to finish the first two episodes.

Mar 16, 20125 notes
#present future #crowdsourcing #anime #animation #peter hyoguchi #kickstarter #The New Kind
“This tweet respectfully disagrees with every comment that theaters + tv provide more interactivity than Twitter, YouTube, etc” —Present Future speaker Kenyatta Cheese, tweeting about the interactivity of old versus new media.
Mar 14, 2012
#present future #caam #sfiaaff #interactivity #new media #technology #audiences
“Creators should think like startups—bootstrap it until you need to ask for help.” —ITVS Programming Coordinator and Present Future attendee Jonathan Archer tweets a thought from Present Future speaker Kenyatta Cheese, from this Sunday’s summit.
Mar 14, 20121 note
#present future #caam #sfiaaff #kenyatta cheese #digital content #new media #technology #startups #do it yourself #DIY
Tweets from the Present Future Summit → exquisitetweets.com

An edited collection tweets from the Present Future Summit. (View them all here)

Mar 14, 2012
#present future #caam #sfiaaff #twitter #tweets #interactive #good discussion
Keep the Conversation Going

By Samantha Yu, 2012 CAAM Student Delegate

After living in NYC for more than a decade, it’s funny that I would begin my journey in Asian American Media on the other side of the country. As a part of the student delegate program, we have the privilege of flashing our badges to awkwardly begin a conversation with filmmakers and industry workers, through some of these meetings, I have gained a new perspective on the role Asian American Media plays in my life.

For 12 hours a day, over the course of 5 days, we attend 4 scheduled screenings. Now you might think, “Half a day watching movies? How hard can that be?” Well, let me tell first hand that it’s actually quite exhausting. Partially due to jetlag, by the time we reach the last screening of the day, I am ready to check out and hit the hay. When so many films are watched back to back, we don’t receive a lot of opportunities to reflect on everything we’ve just taken in. But at the end of the day, when I really absorb and think about all of the screenings, it only brings me to further appreciate the diversity within the Asian American culture.

WongFu & Ana Serrano at Present/Future / photo by Jain Thapa

Yesterday during our breaks in between screenings, myself and another delegate had an opportunity to attend parts of the Present/Future panel, a conversation about Asian American Media. We received the opportunity to hear many different speakers present, including the guys from WongFu Productions, about where they feel the Asian American media should be headed towards. Phil Wang of WongFu was quick to point out that in the room full of audience, there weren’t many “young people” present, referring to high school students. In fact, since I am the youngest of the student delegates, I am pretty sure I was the youngest one at the presentation. Phil raised a concern that in the midst of trying to reach the younger generation of media consumers, it is incredibly important to begin engaging them at a young age, and the age demographic of the room reflected such concern. It isn’t so much that young Asian Americans aren’t consuming media, because they sure are, but when it comes to caring about the matter and actively participating in and seeking it out, there is still much room for growth.’

Packed room at Present/Future Summit. Photo by Jain Thapa

For reasons unknown to me, I have always kept my Taiwanese identity separate from my American identity, it wasn’t until this past winter when I visited family in Taiwan and realized through my aging grandparents that I could no longer live in the States without embracing my Taiwanese self. Soon after, “Linsanity” hit the Big Apple and the globe, and for the first time ever, it became relevant to talk about Asian American presentation on national television. I have encountered so many people who feel that the conversation is long overdue, but the fact is that it has begun nonetheless. We can’t predict where Asian American Media will end up in the next few years, but these months of relevant conversations are extremely important, and I am grateful to be a part of SFIAAFF this year and participate in some of these conversations. These past few days have led me to a world I never much about, and the fact that I was able to do so through engaging myself in the film medium only adds on to its impact on me.

Mar 14, 20122 notes
#present future #caam #sfiaaff #asian american #storytelling #media #new media #identity
“

The combination of low costs, cheap capital and relatively free access to markets has created an unprecedented era of decentralized, emergent, start-up innovation. By creating novel new services and dramatically reducing the cost of existing services, that innovation has unlocked value for consumers, that they are now redeploying in other new services.

But at the same time, that process, the classic creative destruction of free market capitalism, has created new challenges for incumbent industrial companies.

”
—The Freedom to Innovate by Brad Burnham (via garychou)
Mar 14, 20126 notes
“Creative storytelling is one thing: who is doing creative networking for their stories?” —Present Future speaker Kenyatta Cheese, tweeting out a thought from Present Future speaker Wendy Levy, from this past Sunday’s summit.
Mar 14, 2012
#caam #digital content #kenyatta cheese #new media #present future #sfiaaff #storytelling #technology #wendy levy #networks
“We have moved into space beyond interactivity into engagement. Beyond tech grammar into emotion.” —Present Future speaker Wendy Levy, tweeting out a thought from Present Future speaker Ana Serrano, from the Summit this past Sunday.
Mar 14, 2012
#present future #caam #sfiaaff #wendy levy #ana serrano #interactivity #new media #technology #storytelling #narrative
“The old networks want diversity only when it benefits their bottom line. What kind of values are those?” —Speaker Gary Chou, tweeting from the Present Future summit, this past Sunday.
Mar 14, 2012
#present future #caam #sfiaaff #gary chou #diversity #values
Everyone’s A Curator, Everyone’s A Content Creator  → paidcontent.org

futureoffilm:

“Consumers are no longer content to just consume—they’re also becoming curators, and content creators in their own right.” — Ryan Lawler
Mar 13, 20126 notes
#present future #new media #digital content #consumer #creator
“When we want to learn about a culture, we listen to storytellers. Culture is made of stories. To change culture, change stories.” —Present Future speaker Wendy Levy, on the impact and importance of stories.
Mar 11, 20121 note
The Present/Future Summit → festival.caamedia.org

Tomorrow! Sunday, March 11, 1:00p, the Hotel Kabuki, San Francisco! Free!

This summit will bring together Asian Americans from all corners of media to confront the present and future of Asian Americans onscreen and online. Digital technology has fundamentally changed mass viewing habits, as well as mass distribution and production methodologies. And for Asian Americans, these changes are nothing short of revolutionary. In the past five years, a tidal wave of viewers has emerged on YouTube, watching videos made by and starring Asian Americans. These days, the most recognizable Asian American faces may no longer come from Hollywood or network shows, yet the spotlight of “success” still remains on feature films and broadcast television. We have to ask ourselves: are we still looking in the right direction?

So how do we answer this question (or even figure out the right questions) while confronting the massive change in media and spurring innovation within it? The answer is—not on our own. We’ve invited a diverse set of thinkers representing media, technology, arts, business and community perspectives to speak about their view of the present, and to tell us their vision of the future. From YouTube to interactive technology, Hollywood to non-profits, audiences to distribution, this session will aim to make sense of the changing landscape—and opportunities—facing us.

Each speaker will be followed by an open Town Hall question-and-response session. This one-of-a-kind summit aims to generate dynamic, no-holds barred, provocative dialogues, and is a must for anyone invested in or just curious about what’s happening with Asian Americans in media and where we’re all headed. This conversation will not be televised, but it will be live-streamed. So come by in person or join online, ask your own questions and hear what those in the trenches have to say. It starts with your willingness to join the dialogue.

Confirmed participants include:

Nā’ālehu Anthony
Kenyatta Cheese
Gary Chou
Lee Ann Kim
Wendy Levy
Quan Phung, television producer
Ana Serrano
Celine Parrenas-Shimizu
Musa Syeed
Wong Fu Productions
Chi-hui Yang, independent curator and media professor
Shinae Yoon
Rana Cho

Official twitter hashtag: #pfsummit

Sakura Room in the Hotel Kabuki
1625 Post Street, San Francisco Japantown
Please RSVP to Davin Agatep at: dagatep@caamedia.org

Mar 10, 2012
#sfiaaf #caam #present future #asian american #film #new media #storytelling #filmmaker #tech #karin chien #Nā'ālehu Anthony #kenyatta cheese #gary chou #lee ann kim #wendy levy #quan phung #ana serrano #celine parrenas-shimizu #musa syeed #wong fu productions #chi-hui yang #shinae yoon #rana cho
Mar 10, 20129 notes
#caam #sfiaaff #present future #asian american #gary chou #goh nakamura #dave boyle #surrogate valentine #daylight savings #film #filmmaker #sxsw
Play
Mar 9, 2012
#present future #moma #kenyatta cheese #new media #creativity #web video #fan culture
Play
Mar 9, 20121 note
#sfiaaff #caam #present future #asian american #wong fu productions #web video #love #relationships #new media
“

Everything is so much clearer once a world is framed. Maybe it sounds crazy, but with writing it’s infinity that is limiting, and the limited that allows for the truly infinite. Once all those elements are in place in a story, the brain is truly freed up to imagine without end.

…most of the people whose writing I believe will be read in a hundred years are plagued with extreme self-doubt, constant suffering and self-loathing, and are, at their most relaxed, generally fraught and worried.

What I’m trying to say is that a lot that lies behind being able to live the writing life is psychological, and wrapped up in ideas of self-definition. So after you’ve trained yourself to do the work, that is, once you’ve got the sitzfleisch, and the focus, and the skills, and a sharpened pencil, and you’ve pushed a cabinet up against the fridge, and thrown your cell phone out the window, and yanked your router from the wall, there is the issue—and, I promise you, more than any other writing issue, this is the one—of engaging with the work and all that floods into your head that is related to that work, but not truly of the work.

”
—Nathan Englander on creating constraints when writing (in the New Yorker)

btw, Nathan has a Tumblr now.

(via agneswan)

Mar 9, 201287 notes
#present future #writing #creative process #storytelling #narrative #new yorker
“

Is there really something holding us back? Is there some imaginary finish line somewhere in Hollywood that we’re all looking to cross? Web video has this inferiority complex, as if we have to explain away why we’re not television. Meanwhile, we forget that television had the same exact anxiety, going 30-plus years before TV stars were held in the same regard as film stars.

We sit in this space between advertisers and Hollywood on one end, who want to measure web video as if it’s television, and technologists and content creators on the other who expect web video to evolve at the same pace as the web proper. It’s a lot to live up to. We tend to forget how long it took for other mediums to hit their groove. I like to think that we’re all smart enough and brash enough to get over these anxieties faster than TV or radio did.

”
—

Present Future speaker Kenyatta Cheese on the challenges facing web video as a creative medium.

Kenyatta’s own tumblr is Final Boss Form.  Here’s a description of what Kenyatta does, in his own words, taken from his blog:

I co-founded Know Your Meme with Jamie, Ellie, and Drew. I made Unmediated back when the web still seemed shiny.

Right now I’m working with fan culture online.
Mar 9, 201236 notes
#present future #kenyatta cheese #know your meme #unmediated #web video #creative #storytelling #new media
http://ranacho.com/ → ranacho.com

CAAM Board Member and Present Future speaker Rana Cho’s blog, where she writes about gender, ethnicity, gaming, and branding.

Mar 9, 20121 note
#asian american #caam #film #media #present future #rana cho #sfiaaff #branding #video games #gender #ethnicity
A Station for the Nation → ksbe.edu

Article about documentary filmmaker and Present Future speaker Na‘alehu Anthony’s ‘Oiwi TV, the first and only Native Hawaiian television station.

Image by ‘Oiwi TV

Mar 8, 2012
#caam #sfiaaff #present future #api #hawaii #oiwi tv #Na‘alehu Anthony #kamehameha #television #paliku documentary films
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